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Le marbre travaill comme un tissu

Le marbre travaill comme un tissu presque transparent : voil le genre de prouesse que Giovanni Battista Lombardi savait offrir vers 1856.

Le voile semble tomber avec douceur, les plis paraissent souples, la pierre se fait presque chair et toffe la fois.
ce niveau-l, la sculpture devient une dmonstration trs calme de virtuosit.

Australia's highest value art prize for women, The Ravenswood Art Prize has their gallery of 2026 finalists up.

I haven't seen anything quite like "Toxicology" from Linda Judge before.
Yes, that's plastic bread bag tags.

Spring time horsing around
Showcasing sculpture from around the world.

The Dolphin, a table clock dated 1902 - Emperor Nicholas IIs prize for a shooting competition.Peter Carl Gustavovich Faberg (1846-1920), Russian goldsmith and jeweller.Faberge Museum, St Petersburg, Russia

"Curious statue in St Finbarr's"

"Curious statue in St Finbarr's"

Kunstenaars aan het werk Artists at work

Kunstenaars aan het werk Artists at work

Puppy, a monumental 43-foot-tall (13 meters) floral sculpture by American artist Jeff Koons. It is a permanent installation standing at the entrance of the Guggenheim Museum Bilbao in Spain.

He rock bottomed him. Thats a finishing move. mine

The opening of Verdes Anos will take place next weekend.
This is an audiovisual and sculptural installation designed for the garden of the Joseph Sec Monument, created by jlia lema barros for the Biennale dAix.
Inspired by the history of the place, its sculptures, and its overgrown vegetation, the work takes the form of a large-scale sculptural volume.

You are invited to attend the opening

I made some new friends. Sort of.

Zabrze
2018, I guess

En 1986, con motivo de la inauguracin del museo, se encarg a Richard Serra una obra monumental. fue Equal-Parallel: Guernica-Bengasi, una escultura compuesta con bloques macizos de acero Corten.
En 1990, la escultura fue retirada y guardada, cuando se quiso recuperar aos despus, se descubri haba desaparecido sin dejar rastro.
En 2006 R. Serra rehzo la obra, que se puede visitar hoy en el museo es una rplica exacta de la original.

These works are stunning. This one in particular struck me.

Obelisco.
Trinit dei Monti, Roma.

Des fruits en cramique venus dune botanique imaginaire.

Lartiste japonaise Kaori Kurihara cre des sculptures vgtales qui ressemblent des fruits, des graines, des fleurs ou des organismes inconnus, quelque part entre nature, bijou et cabinet de curiosits.

Cest dlicat, trange, trs prcis et probablement dconseill en salade de fruits.

Sehr scharf / Very sharp

Shiny and with a bit of curve to it as well. The sword, I mean. Where are you looking

T.A.E.s Book Review Make It in Clay A Beginners Guide to Ceramics by Charlotte Speight & John Toki

Make It in Clay: A Beginners Guide to Ceramics reads less like a glossy craft manual than like an apprenticeship compressed into a book. First published in 1997 and revised in 2001, it appears as a spiral-bound, 224-page guide by Charlotte F. Speight and John Toki, aimed at a simple, beginning studio situation. That phrase is revealing: the books ambition is not to dazzle, but to initiate. It offers the beginner not just tips, but a structure for seeing the medium as a sequence of intelligible acts. 

What gives the book its quiet authority is its architecture. The table of contents moves methodically from The Ceramics Studio to About Clay, then through hand-building, slabs, sculpture, molds, the wheel, surfaces, and firing, ending with glossary, further reading, and index. This is not just a list of topics it is a pedagogical narrative. Clay is presented as a world that must be entered in order, from material conditions to expressive possibilities, and finally to transformation in the kiln. The recurring chapter apparatusKey Terms / Creative Exercises / Notes and Sketchesturns the book into a studio notebook as much as a text, inviting practice rather than passive reading. 

Its visual and rhetorical style is deliberately restrained. One description praises its more than 250 illustrations that show rather than tell beginners how to turn clay into imagined forms, while another notes that the book uses black-and-white photographs rather than colour. That austerity matters. Instead of making ceramics look glamorous, the book insists on process, sequence, and repetition. In that sense, it has the plainspoken seriousness of a classroom demonstrator: not ornate, but dependable not lyrical in an obvious way, yet quietly exacting in its confidence that making can be taught. 

As a beginners guide, then, the books deepest strength is its discipline. It covers the basics with enough breadth to be useful and enough restraint to remain usable. Independent commentary has called it one of the best concise and comprehensive guidebooks to the ceramic process, and that feels apt: the book seems designed for readers who want a map before they want a style. Its real achievement is that it treats ceramic practice as both technical literacy and artistic formation, suggesting that mastery begins not with self-expression, but with attentive handling of material, tools, and sequence.

Fork and spoon set made of red coral and silver-gilt.It dates from around 16001630 and is believed to have been made in Nuremberg, Germany, or possibly Venice, Italy, in the late 16th century.

Bonheur divin

Trs difficile pour moi de composer un tableau. J'ai chang les lments de place... beaucoup!!! J'ai tjrs peur d'en mettre trop mais est ce qu'il en manque!... le temps me le dira.

Le cadre est une des pdales de l'orgue de l'glise St-Andrew qui m'a t donn par Danny Perkins de la galerie du mme nom. Il est crit : organ co. Patented 87 (pas 1987 mais bien 1887)...

100% rebut

Bonne journe !

Decided to throw caution to the wind and make a Space Butt, so the first stage is painting it all black, and I have to say, I'm loving it so far. The black paint has dried really smooth and won't need buffing the way did.

Now to let it dry before getting funky!

comme une feuille dpose par le vent

Neil Dawson, Sculpture, New Zealand

Horizons est le nom de cette installation gante reprsentant une feuille surdimensionne, imagine et ralise par lartiste Neil Dawson.
Cette oeuvre monumentale se trouve dans un parc priv nomm The Farm

Cette installation est ralise en acier sur une longueur de 36 m et une hauteur de 15 m

. offuscateur : personne officiellement dsigne comme ayant offusqu quelqu'un, et devant se soumettre au juge d'offuscation.

Ouvrage rdig avec la complicit de La Deneuville du duo , et illustr par Christophe Bany, Plante Pas Nette est disponible sur commande dans toutes les librairies.

Photo : Rosanna S.

A profile view of the massive marble sculptures of the mythical twin half-brothers, Castor and Pollux gleaming in the morning light atop the Cordonata, Capitoline hill, Rome, Italy. May 2026. According to mythology, their wish to remain together resulted in them becoming the Gemini constellation. These statues were carved around C3 and their original location was at a temple in the nearby Roman Forum and they were moved to their present location around 1584.

Toms Hardware: Hacktivists share a guide on making working electronics PCBs made from natural clay with prehistoric technique ethical hardware tutorial explains how to find clay, stamp 3D printed circuits, paint traces, and fire tablets. If you enjoy a bit of crafting, the netizens over at Feminist Hacking might have a compelling solution for PCB-needy DIYers, using real clay to produce

Gustavo Matamoros: "Small Sound On A Table Top"




Love this rather unhinged-looking fellow on the side of the 1820s Gothic Revival style Ramshorn Kirk on Ingram Street in Glasgow. It's so detailed and specific in its appearance that I'm sure it must have been based on a real person!

Happy birthday to Keith Haring A l'occasion de la grande rtrospective au muse d'art moderne de la ville de Paris en 2013, le centre culturel 109 avait acceuilli en son sein des immenses figurines de plusieurs mtres de haut assez impressionnantes :blobcat:

Il colosso dell'Appennino una statua in pietra alta circa 14 metri, situata nei terreni di Villa Demidoff a Vaglia, in Toscana. Venne realizzato negli anni ottanta del Cinquecento dallo scultore fiammingo Jean de Boulogne, con l'intento di rappresentare gli Appennini.

Triton for

a faisait des semaines que j'avanais au ralenti sur cette sculpture, l, j'ai envi de dire qu'elle est termine et de la ranger dans sa bote.

Bague en bois de poirier, mai 2026.

Fine sanding of the clay is done!

I'm pleased with how is looking. We're about 8 hours of work on this now. Next step is to paint. Trying to decide between white, like Butt Sculpture, gold, because golden butts are hot, or something else...

Might end up going with safe white just as this is a test for producing a small version of IDK.

Also need to get the proper camera out to decently photograph when done.

Des figures en bois comme des talismans venus dun futur trs ancien

Aleph Geddis sculpte dtranges silhouettes entre jouets secrets, totems miniatures et gomtrie organique. Des uvres qui semblent avoir t dcouvertes dans une bote trsors oublie par une civilisation trs avance mais toujours fidle au ponage.

Aleph Geddis sculpte dtranges figures en bois, entre talismans et silhouettes rtrofuturistes

Vallkra Bonus pic:
Of course there is a tiny commuter in Vallkra, identical to all the others I have haunted you with - with one exception: This one has a rabbit! ('Haren vntar' by Suzanne Andersson 2002)

Artist Kim Dacres gravitates toward renewal and care, transforming worn rubber into expressive sculptural portraits.

When I am working on a problem, I never think about beauty . . . but when I am finished, if the solution is not beautiful, I know it is wrong.
R. Buckminster Fuller

Tales for Tails by Fernandes Makes, part of the Snoopy in the City exhibition.






The 1773 "Steampunk Robot" Silver Swan That Inspired the First Computer








Death Clock