'Busto de Isaac Preire'
Creacin del siglo XIX.
Tcnica: Escultura en mrmol blanco.
Dimensiones: 77 cm. (altura).
Ubicacin: Coleccin privada.
Autor: Antoine-Samuel Adam-Salomon (francs, 1818-1881)
What is your character's relationship to art Do they take time to experience it Maybe give it a glance when they encounter it What forms of art exist in your world
Started creating a 3D version of my old Hoi pixel game character in SDF Modeler.
Get the free SDF Modeler here:
Char romain de Pompi : un pilentum dcouvert presque intact
Come with me ... for a relaxing walk in the park
In my latest video I take a look at public art in Campbell Park.
Mini pious
La Roche Courbon castle and gardens'Laocoon and his Sons' (Laocoonte y sus hijos)
Creacin c. 125- c. 40 a. C.
Tcnica: Escultura en mrmol.
Estilo: Helenstico
Ubicacin: Museos Vaticanos, Ciudad del Vaticano.
Escultura de la antigua Grecia.
1/2
'Transparenz'
Transparency
"Anna"
A little excursion to McClelland gallery today - I've always found the Tree of Life sculpture hypnotic
Field Tech First Contact Vid Doc.
Finding viable foetal transmitters is a rarity. Finding one not infected with a synth organelle, doubleplus rare.
Incubator 719 was discovered by a team of field techs 15 days ago. It was still transmitting to an uplink that has been gone for many decades now. Data appears intact too.
These used a State standard link, removing the data was easy. Reflashing it was too. We plan to use it as a redundant relay to help keep clear comms with the field techs.
Sur ces photos, la partie suprieure dune sculpture monumentale en prparation pour Horizons Sancy 2026Sur ces photos, la partie suprieure dune sculpture monumentale en prparation pour Horizons Sancy 2026
latelier en ce moment, il y a 4 uvres en cours de ralisation, rendre avant juillet. Sur ces photos, cest le volume de La grande cerfe , une sculpture pour la ville dEysines.
A body held in tension. A moment that refuses to be silenced.
Invasion is a visceral mixed-media sculpture exploring the physical and psychological impact of sexual violence. Through harsh textures, industrial materials and an unflinching form, the work captures both resistance and restraintwhere the body fights, yet cannot escape.
This is not an easy series to witness. It is not meant to be.
Foam by Charles d'Orville Pilkington Jackson in Greenbank Garden in Clarkston, near Glasgow. This figure was first displayed at the 1938 Empire Exhibition in Bellahouston Park in Glasgow. Fifty years later, it was also displayed at the Glasgow Garden Festival in the summer of 1988.
Potichat et mimi souris
2026 365 photochallenge 139/365
What appears foul becomes fertile
Waag, Thursday, June 18 at 01:00 PM GMT+2
Artist presents Your Shit Smells Like Roses. The sculpture stages a deliberate contradiction: human waste, so often treated as abject, is in fact a valuable and regenerative resource. It critiques contemporary sewage systems in which all domestic effluents are indiscriminately combined, producing a chemically complex and often toxic slurry. By contrast, the work proposes the separation of black water (toilet waste) from grey water (from sinks, washing machines, and dishwashers), allowing each stream to be processed according to its intrinsic qualities.
The installation presents three distinct water systems, black, grey, and clear, channelled through the sculptural structure to irrigate rose plants embedded within toilet forms. The roses become living indicators of each condition: black water produces vigorous and abundant growth, grey water inhibits life, and clear water sustains a modest vitality. A further inversion unfolds through scent. Grey water, perfumed by cleaning products, emits an immediately appealing fragrance, while black water initially repels. Yet over time, it is the rose nourished by human waste that develops the most complex and desirable natural scent. What appears foul becomes fertile what appears clean reveals itself as toxic. Through this sensory and material reversal, Your Shit Smells Like Roses reframes waste as a question of context rather than inherent value. It suggests that what we discard is not without worth, but simply misplaced. Our waste is simply the right thing in the wrong place.
Programme
Opening date: 18 June
About the venue: The installation is presented inside the Water Bar, a glass building situated next to WETSUS.
About S+T+ARTS AQUA MOTION
S+T+ARTS AQUA MOTION is a two-year initiative that brings together artists, scientists, policymakers, and communities to address urgent water challenges through interdisciplinary collaboration and artistic experimentation. Rooted in the EU Mission Restore our Ocean and Waters, the project spans four major European basins, Atlantic-Arctic, Baltic-North Sea, Mediterranean, and Danube-Black Sea, and supports 25 artist residencies alongside the development of Water Innovation Labs in Portugal, the Netherlands, Austria, and Italy. These labs act as hubs for co-developing innovative, art-driven responses to regional water issues. Through hands-on engagement, speculative design, and grounded artistic practice, S+T+ARTS AQUA MOTION rethinks how water is valued and managed, fostering more inclusive, sustainable, and resilient futures.
Within this framework, the challenge Contamination Paradox: Reframing contamination as knowledge, limit and resource invites artists to engage with source-separating sanitation technologies and to reconsider contamination not only as a threat, but as a resource, a signal, and a site of inquiry. Residues, bacteria, chemicals, and micropollutants are approached not simply as waste, but as evidence, as matter for investigation, and as potential habitats for other forms of life. Through this lens, contamination becomes a way to understand systemic imbalance and a medium for response, speculation, and co-creation.
Developed in collaboration with the European Centre of Excellence for Sustainable Water Technology, the Municipality of Leeuwarden, , and with Waag Futurelab acting as mentor throughout the artistic process, the project supports the creation of new connections between artistic practice, scientific research, and societal engagement.
Interested
Accessibility
The space is located on top of a very small hill, so unfortunately it is not easily accessible for wheelchair users. Otherwise, the location is easy to reach, and there is space nearby to park bikes and cars.
URBAN SPRAWL
OT301, Thursday, May 21 at 05:00 PM GMT+2
Line up: Participating artists: Lucy Cohen Gus Colwell Hugo Hall Grace Li Vivian NguyenThe exhibition Urban Sprawl showcases the final projects from students enrolled in the course Experimental Media and the Internet in Contemporary Art. Each piece from the 5 artists represents a culmination of a semester's worth of research, creation, and self-reflection. The exhibition serves as an open platform, inviting the public to interact with their work.
Lucy Cohen
This work explores how humans create comfort in spaces outside of their homes. Something as simple as a shared kitchen can become the space where relationships are formed and grow. During my time in Amsterdam, a place of impact has not only been the beautiful city in which we live, but also the kitchen where I cook my meals with my friends, which has, over time, become a significant part of my abroad experience. My art will depict our dinner table, the same cups and cutlery, and the plate will show a collage of photos that I have taken over the past four months.
Bio:
Lucy Cohen (b. 2005, USA) is a student studying Government at Colby College. This is her first time creating an artwork that goes beyond simple sketches and photos. She is inspired by her grandmother, a photographer who has captured relationships through her images. Her work aims to communicate how community is fostered through shared spaces and experiences.
Gus Colwell
This project explores the transformation of digital sketches into physical sculptures. Using original creature-like drawings, I create small air-dry clay sculptures that highlight how form, texture, and scale change between digital and physical mediums. Each sculpture is paired with its original sketch to show the progression from concept to object.
Bio:
Gus Colwell (b, 2004, USA) is a multidisciplinary artist and psychology student whose work explores creativity, transformation, and visual storytelling. Working across digital and sculptural media, his art focuses on the relationship between imagination and physical form, often using playful and experimental designs to examine how ideas evolve through different materials and processes.
Hugo Hall
Statement: My work explores memory and physical space. I am interested in how the changes of spatial elements that are central to someones memory of a space can tell a story. Using objects from second-hand stores, I arrange them in such a way that the varying shapes, sizes, and materials help exaggerate and reflect their magnitude of significance, while conveying a sense of directionality. Additional materials, colors, and details were added to balance the exaggerated nature with specificity.
Bio:
Hugo Hall (b. 2005, USA), is a student of biology and environmental science. This is his first sculptural work as his focus is on nature and landscapes. His father, an Architect specializing in scenic design, inspired him to create a piece that encourages thought about the stories told by changes in spatial memory elements.
Grace Li - 25 euros ()
Statement: My work aims to bring childhood nostalgia and joy to life by creating art that connects beloved childhood characters and stories from around the worldstories I loved as a child and continue to cherish today. Out of a desire to share this joy with others, I work across a variety of media, including clay, wood, paint, and cardboard, to create playful scenes in which these characters come together in harmony and wonder. Through my art, I hope viewers recognize that, even across cultures and continents, childrens stories all share an important desire to inspire hope, teach kindness, and foster unity.
Bio:
Grace Li (b. 2005, USA) is a Chinese-American student of kinesiology and human anatomy and physiology. Since childhood, she has been drawn to cute characters and vibrant aesthetics, filling her life with whimsical decorations and adorning her belongings with them. She wants to remind her audiences of the childlike wonder they often forget as the years go by and lifes growing responsibilities begin to weigh them down.
Vivian Nguyen
Statement: My work represents a traditional Vietnamese Lunar New Year household celebration, with a depiction of several traditional Viet materials (altar, incense holder and flower pots with traditional patterns, cards-playing mattress, traditional wooden furniture, Lunar New Year decorations, and several Vietnamese Lunar New Year food). Illustrated through a miniature model, I used mixed materials in the process of creating this art, including clay, cardboard, paper, printed media, wooden sticks, cloths, and spray paints. Lunar New Year is among one of the most important traditions for every Vietnamese, which treasures family gatherings, gratitude, and reunion. Being nearly 4 years away from home, I have not been able to stay close to my family, missing out all the memories, events and especially the sense of home, which is the main reason why I chose to work on this art. This art not only represents my origin, but also aims to introduce and promote a historical and cultural heritage that every Vietnamese is proud of.
Bio:
Van (Vivian) Nguyen (b. 2005, Vietnam) is a Vietnamese student studying Communications, Business Analytics and Media Arts in the United States. Being the first generation who has a chance to go out and explore the world, she has always been told to value every experience, moment and to take any possible opportunity. She is also the first member of the family who follows a different path in Media Arts and Visual Design, which challenges her ambitions, creativity and willingness to take risks. Her focus on Arts mainly about graphic design, photography, and videography, with a huge ambition to recapture the real world into her own perception.
Des ufs au plat tellement ralistes quon hsite entre les accrocher au mur ou sortir le pain grill.
Erika S. Rhinelander cre des sculptures hyperralistes en rsine, mousse et pltre : jaune brillant, blanc coulant mais rien ne se mange.
Body in Motion: Fluid Bronze Sculptures by Luo Li Rong
Arc de triompheHad a LOT of fun with this one today. Very spicy!
Grumpy Mushfroom all around
Erika S. Rhinelander cre des sculptures dufs au plat plus vraies que nature